Tokyo to Naoshima

April 1 to 15, 2023 · Japan, by train

Tokyo to Naoshima

Two weeks in Japan at cherry-blossom time, the five of us: Stanley Kolber, Chris Clayton, Billy Kolber, Marcio Chapina and Ari Kolber. Six stops, and the Shinkansen between them: Tokyo, a mountain valley at Hakone, Kyoto, Okayama, the art island of Naoshima, and a last day in Osaka.

Nights at each stop. Distances by rail, roughly, between them.

Saturday, April 1

Tokyo

We landed the evening before and woke up in Shimbashi. Ueno Park first, because the cherry blossoms were a week past peak and we wanted whatever was left. Dinner at Tsukada Nojo, an izakaya a few minutes from the hotel.

Ueno Park. The last of the blossoms, and a bird who didn't care.

Sunday, April 2

Tokyo

Meiji Shrine in the morning, through the forest in the middle of the city, then Harajuku and Shimokitazawa. Dinner at Shirubee, an izakaya in Shimokitazawa that took three weeks of trying to book.

Yoyogi Park: Billy, Chris, Ari, Marcio and Stanley.
Billy and Stanley, by the fountain.
Ari reading up on the sake barrels at Meiji Shrine: donations from breweries all over Japan, wrapped in straw.
Billy and Ari in front of them.

Monday, April 3

Tokyo

Tokyo Skytree at ten, Asakusa before lunch, then the river cruise down the Sumida to Hinode Pier. The food hall under Tokyo Station on the way back, which is where the fruit sandwiches live. Dinner at Washoku En in Shiodome.

Asakusa, still in bloom.
Tokyo Station, basement level: fruit sandwiches. Strawberry, and orange.
Negitoro sushi, same counter.
Washoku En. Cucumbers with miso.
Sashimi and ikura, with the shrimp still looking at you.
Dinner: Billy, Ari, Chris and Marcio, the city behind the glass.

Tuesday, April 4

Tokyo

The Hokusai Museum in Sumida, which had an exhibition on his birds, then Shinjuku for the afternoon. Dinner at Ise Sueyoshi in Nishi-Azabu: a kaiseki counter, a dozen courses, each one built on a different plate.

Ari and Chris at the Sumida Hokusai Museum, for the Bird Park show.
Chris, Ari and Marcio, walking to dinner through Nishi-Azabu.
Ise Sueyoshi. A shrimp on crushed ice to start.
The hassun: a dozen small things in a lacquer box, with flowers.
The squid, closer.
Beef, seared, with sakura on top.
Fish on a stone plate.
A green soup to finish the savory courses.

Wednesday, April 5

Hakone

new stop: Hakone

Shinkansen to Odawara, then the mountain railway up to Gora. The afternoon at the Hakone Open-Air Museum, which is a sculpture park in a valley: Henry Moore under a cherry tree, a man walking out of a giant hand, a steel sphere you stand under and see yourself in. Sushi in Gora for dinner.

The Hakone Open-Air Museum. The Picasso pavilion is behind the wall.
Marble, cold, waiting.
Looking up.
Mountain cherry.
Carl Milles, Hand of God. A man balancing on the fingers.
Chris and Ari under the blossoms.
The Symphonic Sculpture tower, stained glass inside, with a bronze in front.
The Woods of Net, a wooden pavilion with a knitted playground inside, for children only.
Bukichi Inoue, my sky hole 84 HAKONE.
The sphere, suspended between the posts.
Arnaldo Pomodoro's sphere, cracked open.
The label.
From underneath. The sky becomes a hole you are standing in.
Double blossoms.
Pink and white on one branch.
A chain of colored frames.
Bronze against the sky.
A silver figure with its arms out.
Henry Moore, Reclining Figure, under a full cherry.
Sushi in Gora.
Maki, three kinds.

Thursday, April 6

Hakone

A tatami room at the Hyatt Regency with the mountains in the window, then the Pola Museum, which is glass and concrete buried in a beech forest, with a Gerhard Richter show and a Kusama bed. Dinner at Flow, a short walk from the hotel.

The room at the Hyatt Regency Hakone, Japanese style.
Pola Museum. A row of tiny objects, the whole length of a white wall.
Yayoi Kusama's bed, dots on everything.
Chris and Ari under a weeping cherry.
Quince.
Flow. The table arrangement was moss.

Friday, April 7

Kyoto

new stop: Kyoto

Down the mountain to Odawara and the Hikari to Kyoto by noon. Four nights at the Hyatt Place. Dinner at Hanasaki Manjiro in Gion, then a walk through Higashiyama after dark, when the lanes are empty.

Hanasaki Manjiro. Green tofu with a shrimp on top.
The hassun, on a wooden bridge.
Sashimi with a sakura branch.
Duck, lotus root, and a leaf.
Higashiyama at night, nobody on the street.

Saturday, April 8

Kyoto

Nishiki Market in the morning, Gion, a ramen lunch, and up the hill to Kiyomizu-dera. Dinner at Tempura Endo Yasaka: tempura one piece at a time, over a counter.

All five of us at Nishiki Tenmangu, the shrine at the end of the market, under its lanterns.
Gion. A lantern with two fish.
A soufflé pancake, which takes twenty minutes and is gone in two.
Ramen lunch.
A moss garden on the way up the hill.
Ari below Kiyomizu-dera, pagoda behind.
Ari and Chris at Kiyomizu.

Sunday, April 9

Kyoto

Saihoji, the moss temple, which admits you by written application and starts the visit with sutra copying. Then the garden: 120 kinds of moss around a pond, under cedars. Lunch at Shoraian in Arashiyama, a tofu restaurant above the river.

Saihoji. The weeping cherry at the entrance.
Blossoms against the roof.
The moss garden. Everything green is moss.
The pond.
Red berries on green.
The tea house.
A stump, taken over.

Monday, April 10

Kyoto

A boat on the Okazaki canal at 9:45, then the Miyako Odori, the geisha dance performance that happens only in April, with tea first. Fushimi Inari in the afternoon, up through the torii. Dinner at Yagenbori on Hanamikoji.

The Okazaki boat. The guide, at the bow.
Cherry trees along the canal.
Under the roof.
At the Heian Shrine torii.
The Miyako Odori, before the curtain. A full house, every April for 150 years.
Fushimi Inari. The fox at the gate.
Two foxes in red bibs.
Ari and Chris in the torii tunnel.
Baumkuchen at Kyoto Station, plain and matcha.

Tuesday, April 11

Kyoto to Okayama

new stop: Okayama

Kinkaku-ji, the Golden Pavilion, early, before the buses. The Nozomi to Okayama in the afternoon. Dinner at Teppan Ku-ya, a counter where the beef is cooked in front of you.

Kinkaku-ji. Gold leaf, and its reflection.
The phoenix on the roof.
Blossoms in the shade.
Teppan Ku-ya. Wagyu, with salt and wasabi.

Wednesday, April 12

Kurashiki and Okayama

Kurashiki in the morning, the old merchant quarter with a canal and boats. Then Korakuen, one of the three great gardens of Japan, with the black castle across the river. Dinner at Kuikiri Happo: a chef, a counter, and a lobster brought out to meet us before it was cooked.

Kurashiki, Bikan quarter.
A boat under the stone bridge.
The canal.
Korakuen: Marcio, Stanley, Chris and Billy.
Stanley on the stepping stones.
Koi.
Okayama Castle, the Crow Castle, across the river.
Turtles on a rock.
The bridge.
Tea and a sweet in the garden.
Kuikiri Happo. Jelly with caviar.
The crab, steamed.
Tofu with a green sauce.
The chef and the lobster.
The lobster, later.
Beef and vegetables.
Dessert.

Thursday, April 13

Naoshima

new stop: Naoshima

Ferry from Uno to Naoshima, the art island. Electric bikes for five, and the Art House Project in Honmura: old houses turned over to artists, one work per house. A night at Roka, a ryokan with a kaiseki dinner.

Kadoya. Tatsuo Miyajima's Sea of Time: LED counters under water, each one set to a different speed by a villager.
One of the counters.
Lunch on Naoshima, all five.
Ishibashi. Hiroshi Senju's waterfall, painted across a whole room.
Closer.
Haisha, the old dentist's house. The Statue of Liberty inside, two stories tall.
From the upstairs.
Go'o Shrine. Hiroshi Sugimoto rebuilt the shrine with a glass staircase that runs underground.
The stairs, from the chamber below.
Out through the slit to the sea.
The shrine above, on white stones.
Ari with Kusama's yellow pumpkin, on its pier.
Ari inside the red pumpkin, at the port.
Dinner at Roka.

Friday, April 14

Naoshima to Osaka

new stop: Osaka

Benesse House in the morning: Niki de Saint Phalle in the garden, Bruce Nauman's neon inside, Kusama's silver spheres in the valley. Then the ferry back, two trains, and Osaka by evening.

Stanley and Chris with the pumpkin, next morning.
Niki de Saint Phalle's camel.
And her elephant, with wisteria.
A stone well with a bowl, looking at the Seto Inland Sea.
Wang Guangyi. Disney, with revolutionary workers.
Zhang Xiaogang, a family.
Flags in soil: Greece.
Saudi Arabia.
Canada.
Brazil.
Bruce Nauman, 100 Live and Die.
Stone figures on the hill.
Kusama, Narcissus Garden. Steel spheres in the Valley Gallery.
Spheres against Tadao Ando's concrete.

Saturday, April 15

Osaka

A last morning at the Nakanoshima Museum of Art, where a giant cat in a space suit guards the entrance and a tin robot stands in the lobby. Then the airport.

Nakanoshima Museum of Art. Kenji Yanobe's Ship's Cat.
The cat, closer.
From behind, in the rain.
A church by Vlaminck.
A soldier.
Giant Torayan, Yanobe's robot, in the atrium.

Photos from a phone, in the moment. Hotels, trains and every dinner were booked months ahead, which in Japan is the only way the good counters happen.